From an early age, I realized that the world isn't exactly as it seems. My first clue came when I was just five years old, during a vivid "vision" of Atlantis. I refer to it as a "vision," but it felt more like a waking dream, filled with dancing dolphins and ships with painted sails. You might expect a five-year-old to forget about it, but it left a lasting impression on my young mind, much like a stubborn sticker.
That was the same idyllic summer my great-aunt Nanny, a woman who inherited her esoteric wisdom from her Celtic ancestors, taught me to see faeries. And let me tell you, it wasn't difficult. The little rascals weren't exactly hiding. They were there, bold as brass, flitting among the azaleas – tiny, gossamer-winged beings, probably discussing the merits of pollen versus nectar.
After years of fantasizing and delving into any subject that promised an explanation for the "unseen" world, I finally encountered science. Eureka! I thought. I felt much like Archimedes must have felt when he sank into the bathtub and water overflowed onto the floor. Not something I'd normally consider a groundbreaking achievement, but I suppose it could possibly have led to bubble baths.
For many years, science, with its comforting laws and predictable reactions, provided me with a delightful framework for understanding the world around me, making it feel as comfortable and predictable as a Sunday morning coffee at Luna Cafe. Then, just when I thought it was safe to leave the house again and go outside again, I encountered quantum mechanics.
Suddenly, I was presented with the possibility of an explanation for the unseen reality. It seemed to be the final frontier, the shimmering, elusive key to unlocking the universe's deepest secrets. It promised answers! It promised clarity! It promised... well, it promised a lot.
That promise, dear readers, was a false one. It didn't happen. In a sort of cosmic coup de grâce, a final drape thrown over the birdcage of my mind, Ms. Wonder decided to become an abstract photographer. Her artistic calling, and as one who has seen her in action, I can assure you, it is a calling. The woman can not let an ocean-going vessel dock at the port of Wilmington in peace.
"What's that got to do with hidden reality?" you may ask. It's a fair question, and one I've wrestled with myself. But consider this, hot off the press, right there in her artist's bio, she states, with an air of profound, unquestionable certainty:
"Through my photography, I offer glimpses of an unseen world, that exists in plain sight. My photography goes beyond the obvious and makes visible what is otherwise hidden."
For the sake of my sanity—and probably yours too, since listening to me ramble on about quantum foam, lost continents, and dancing faeries can be quite exhausting—I've decided to embrace my imaginary world as the only reality that truly matters.
Why struggle with complex cosmic truths, which would make a lesser man take up interpretive dance, when a perfectly comfortable delusion, custom-tailored to my personal whims and desires, is so much more appealing? It's a far less taxing way to live, and frankly, makes for much better blog material.
Now, if you'll excuse me, I believe I just glimpsed something small and curious flitting past the window. It may be a new species of dust bunny, or else, and you may find this hard to accept, it could possibly have been a squirrel in a tutu. Living with an abstract photographer, the mysteries, it seems, never cease, even in a world of one's own making.
Now, if you'll excuse me, I believe I just glimpsed something small and curious flitting past the window. It may be a new species of dust bunny, or else, and you may find this hard to accept, it could possibly have been a squirrel in a tutu. Living with an abstract photographer, the mysteries, it seems, never cease, even in a world of one's own making.