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Redemption Thy Name is Wonder

I could tell my life story in two words—the two words: "I drank." But I was not always a coffee drinker. This is the story of my downfall—and of my rise—for through the influence of a good woman, I have, thank Heaven, risen from the depths.


The influence crept upon me gradually, as it does for many young men. As a boy, I remember my father offering me a sip of his morning brew, but it didn’t captivate me then. I can recall disliking the bitter taste. 

It wasn’t until I was well into my twenties and serving under NATO status in Germany that temptation struck me. My downfall began when the Army chose to reassign me from my comfortable NATO position to a "special assignment" in Rome.

You can read all about my "secret mission" in a previous blog post.

It was then that I first made acquaintance with the awful power of sidewalk cafes and spent hours sitting at little round tables, watching people walk by who, apparently, had something better to do than drink espresso in romantic little cafes located in centuries-old public squares.

Writing those words so many decades after the fact and remembering my life in Rome, living in Pensione Piazza di Spagna, about three blocks from the Spanish Steps, still makes me wonder why. Why did those people walking by think they had something better to do?

Here we were, living in the Eternal City, in an area so popular and refined that high-fashion brands, like Gucci, Bulgari, and Valentina, have their flagship shops in the neighborhood.

Each morning, before walking to Elissa Gelateria Pasticceria Cafe, I would sit on the rim of the pool surrounding the fountain, watching flower sellers and street artists getting set up for another day. 

By 8:00 AM, I would meet a local writing group at the Elissa. A hard-drinking set, these reckless souls thought nothing of following one double cappuccino with another. They frequented mid-morning coffee houses the way others frequented happy hours.

They laughed at me when I declined to join them and nursed a single glass of orange juice until lunch. I couldn't endure their teasing. Eventually, I accepted their challenge and ordered an Americano. They still teased me for ordering regular coffee rather than espresso. They clapped me on the shoulder and called me "Good old Genome!" I was intoxicated with the sudden acceptance.

How vividly I can recall that day! The gleaming espresso machines lined up on the counter behind the serving bar, and the colorful posters with smiling young people enjoying drinks with Italian names. 

It was a café latte that first rang my bell. I lifted the cup to my lips with an assumption of sophistication, although I felt like a bumpkin from Shady Grove. The first sip was rich and creamy, unlike anything I'd experienced before. The warmth spread through me like liquid comfort itself, and by degrees, a strange exhilaration began to steal over me. I felt that I had crossed the Rubicon;
 I had burnt my boats along with my bridges. I ordered another round. I became the life and soul of that Roman cafe. 
I had the habit!

I found myself sinking deeper and deeper into the delightful world of caffeine. I knew all the baristas in the Eternal City by their first names, and they knew my drink by heart. I would simply walk through the door and say, "Il solito, por favore," and they understood immediately.

My consumption increased steadily. What had started as morning coffee became morning, afternoon, and evening coffee. Then late-night coffee. Weekend coffee marathons left me buzzing with energy and unable to sleep. I was consuming six, eight, sometimes ten cups a day. My hands developed a permanent slight tremor. My eyes took on the wide, alert look of the perpetually caffeinated.

But I felt invincible! I was more productive than ever, sharper in briefings, more creative in my reports. I could work sixteen-hour days without fatigue. Coffee had become my fuel, my inspiration, my reason for being.

When my Rome assignment ended, I returned to the States with my habit firmly entrenched. NASA offered me a position in Houston—a dream job working on the space program. I accepted eagerly, confident that my coffee-enhanced productivity would make me indispensable.

At first, all went well. My colleagues marveled at my energy, my ability to work through the night on critical calculations. I was the go-to person for last-minute projects, the one who never seemed to tire. But my weekend rituals had become legendary even to myself. My coffee binge began on Saturday morning—espresso after espresso as I explored Houston's coffee scene, meeting other enthusiasts, discussing beans and brewing methods until the early hours of Sunday morning.

And then came the inevitable Monday morning slam. The first time I overslept, my supervisor was understanding. "We all have rough weekends," he said. The second time, he raised an eyebrow. By the fourth consecutive Monday, the understanding had evaporated.

My dream job was lost to addiction. 
I was devastated. I wandered Houston in a daze, wondering how I'd let my habit destroy my career. It was during this dark period that I met the Wonder. 

She was a photographer who spent her free time documenting the art scene in Houston. We met at a coffee shop near the Johnson Space Center—ironically, the very place where my addiction had cost me everything. I was nursing a single cup, trying to limit my intake, looking miserable.

"You look like someone who's been told coffee is bad for him," she observed, sliding into the seat across from me.

I poured out my story—Rome, the addiction, the lost job, my attempts to cut back. 

"Let me get this straight," she said. "You lost your job because you drank too much coffee?"

I nodded, feeling like the sad sack I'd become. She leaned back in her chair and smiled—the most beautiful smile I'd ever seen.

"And this is a problem because...?"

"Because I'm addicted to caffeine!"

"Honey," she said, reaching across the table to take my shaking hand, "do you realize that most people lose jobs because they drink too much alcohol, not too much coffee? Do you understand that your worst vice is something that makes you energetic and productive rather than sloppy and destructive?"

It was a revelation. She continued, "So you love coffee a little too much. So you get over-excited on weekends. These are not life-destroying problems. These are scheduling issues."

Her words didn't just change my attitude; they revolutionized my life! Before I knew what was happening, I was lying in bed with her every Sunday morning, listening to smooth jazz on 93FM KKBQ and reading the Houston Chronicle.

 

I hadn't conquered a terrible addiction; I had simply learned to manage my schedule. Coffee was not my downfall; it was my salvation from far worse vices. I drank espresso for energy and joy, and for that, I am grateful.

 

Most importantly, I found a woman who saw my quirks not as character flaws but as interesting challenges to be approached with love and wisdom. I am saved—not saved from coffee, but saved by the understanding of Ms. Wonder.

Attitude Rules!

It was one of those 'Full glorious mornings', the kind that 'flatter the mountain-tops', and 'kissing with golden face the meadows'. I've heard Ms. Wonder say it often. I don't know how she comes up with these things, but it makes me happy every time she says it. She should have her own blog.


But despite all the flattering and kissing the sun was doing, I wasn't happy. I woke up feeling like I'd been abducted by space aliens, poked, prodded, and then disassembled and poorly reassembled by an untrained UFO crew, and then dropped from a considerable height for good measure.

It wasn't surprising; I'd suffered from environmental allergies for weeks. First came pollen--flowering plants, followed by pine pollen, followed by live oak and Spanish moss. By the end of the first two weeks, I'd had the maximum dose for the average adult, and now I was just a teeny bit panicky, thinking my real problem might be hiding underneath the allergies, like anchovies in the Caesar salad.

I had no energy; I felt lethargic--too peaky to even go outside; hell, I couldn't walk down the hallway without careening off the walls. I decided it was all too much for me, so I took it to a higher power. Fortunately, Ms. Wonder maintains an open-door policy for me.

I wasted no time complaining, squawking, and grumbling about how bad I felt. I'm not certain that I didn't kvetch. Hell, I even had a headache, something not part of the standard issue for me. 

As I walked to the bedroom, I thought about how I'd been the picture of health only two weeks ago, and now I had one foot in the cemetery. It was a grating thought, leaving me with a feeling of loss. It was a Sugar Mountain feeling--the feeling Neil Young sang about.

Suddenly, something popped! I remembered how it felt in thrid grade to be sat on by Butch Mason and have pine straw shoved into my face. Those memories brought back my life-long motto, 'I will not eat pine needles!' I decided to shower, shave, and get dressed. Out in the sunshine and fresh air, I felt on top of the world. I was the old Genome again--the one I knew so well, and it lasted throughout the day.

Before bed, I mentally replayed my day and realized that I was depressed when I awoke. I was so depressed that it affected me physically. When I walked through my memory of the events of the day, I realized it wasn't the walk that reversed my despair. It wasn't even the shower. I restarted my day the instant I decided to make the best of the moment. 

The magic elixir that turned the night into day was attitude. It always works for emotional transformation, but how effective is it for physical healing? The answer, my friend, is blowing in the wind. 

Trans-Dimensional Employment

The phone on my desk rang, and I looked around the room to see if anyone else would answer it. Many people were at their desks in the large room, but no one moved, possibly because they were all practicing the ancient corporate art of selective deafness. I answered it myself.


The caller introduced herself as Chala and then asked to speak to Ansch. I told her I'd get the message to Ansch, though I had no earthly idea who Ansch might be, having never encountered anyone by that name in my brief tenure here at Meyer's Excellence Manufacturing and Design. 

If you happen to know this mysterious Ansch or if you happen to find her hiding in the copier room or in the supply closet (the possibilities are endless in a large corporation), please pass along the message to call Chala. Presumably, they have important business to discuss, involving excellence, manufacturing, or design. Or all three, if they're feeling ambitious.

The phone call to Meyer's took place in another dimension when I first woke this morning. The dimension was obviously in the same space but in a different time, like a cosmic layover between sleep and consciousness. The trans-dimensional message wasn't the first, of course—you've read about some of them here on The Circular Journey, where interdimensional employment opportunities are apparently my specialty.

I don't know why these ethereal career updates occur at the precise instant I wake, but I've come to believe they're important. They probably strengthen the character, much like cold showers, overpriced coffee, and having to explain to your partner why you're discussing imaginary coworkers at breakfast. 

Many things do strengthen character, I'm told, and I have no reason to doubt it. After all, if surviving morning conversations about alternate reality job assignments doesn't build resilience, what does?

Apparently, I'm a designer in the leisure fashion department of this alternate dimension, which sounds considerably more glamorous than my regular-dimension responsibilities, which amount to little more than writing this blog. 

Meyer's is one of those environmentally friendly companies that focuses on reusing, upcycling, and recycling to reduce waste in landfills—a mission so noble that even my subconscious has developed an ecological conscience. I fully support their mission, so I am quite content in my role as a designer, even if it only exists between REM cycles.

My current project involves reconfiguring a pair of vintage sunglasses, because apparently, even in alternate dimensions, I can't escape the gravitational pull of questionable fashion choices. I'm adding a couple of horizontal bars made from an unidentified piece of mangled plastic—the kind of material that probably started life as something humble, like a yogurt container or a for-sale sign, before destiny called it to higher purposes.

I plan to position these bars just below the bottom edge of the lenses, creating what can only be described as architectural eyewear. I will then attach a row of tiny plastic figures to the bars—miniature citizens embarking on microscopic adventures. 

The finished piece will serve as a sort of virtual reality device, allowing the wearer to see tiny people walking tiny dogs along the horizon, which strikes me as the perfect antidote to a world that takes itself far too seriously.

I remember feeling immensely satisfied as I worked on this pair of interdimensional shades because the lenses provided 100% UV protection as well as being polarized. It was a lot to hope for, but if you're going to hallucinate designer eyewear, you might as well dream big. Anything less would have been simply too disappointing, but as I've already mentioned, these trials are meant to make us stronger, like spiritual CrossFit for the chronically bewildered.

Princess Amy is happy that I've adopted a Rumi attitude toward the whole affair. She says it shows significant progress in emotional maturity, which is generous considering my track record with maturity is generally below the 35th percentile. Amy says my ESP is purring like a twelve-cylinder cat, which sounds impressive but also slightly disturbing and mechanically implausible.

At any rate, I'm happy to hear her compliments, even if I have no clue what any of it means. Her reviews of me generally include something about not having two gray cells to rub together—apparently, I've been operating on a single-cell intellectual economy for some time. But progress is progress, even if it arrives via mystical feline metaphors and dream-state employment opportunities.

I can't take all the credit for this newfound trans-dimensional career success. Ms. Wonder has recently encouraged me to listen to several episodes of The Real Divas—she intended for me to send a link to one specific episode, but sent two others by mistake, because in our household, precision is more of a theoretical concept than an actual practice. Listening to them has made all the difference, I'm sure, though whether the difference is positive or simply different remains to be seen.

It was meant to happen that way, of course. There are no coincidences, apparently—only a universe with an unusually elaborate sense of humor and a fondness for designer sunglasses with tiny pedestrians attached.

Now, if anyone knows where I can reach Ansch in this dimension, please let me know. I have an important message for her.

Stardate 2025.156 - Captain's Log

Into the Melancholy Nebula

Princess Amy sat in the captain's chair of the GS Ship Wynd Horse, gazing out through the massive viewports at the familiar mindscape of Highway 17 toward Ocean Isle Beach. My limbic system's command center hummed with its usual efficiency, while Joy, stationed at the communications console, broadcasted her typical morning optimism across all neural networks.



"Beautiful day ahead, Princess!" Joy chirped, her fingers dancing across the controls. "I'm picking up positive signals from Surf & Java Cafe in the Weekend Plans Sector."

At the engineering station, Anxiety was running his standard diagnostics. "Aye, but we're showing some minor fluctuations in the confidence generators," he muttered, wiping his hands on his uniform. "Nothing major, but I'll keep an eye on it."

Reason, standing rigid at the science station with Spock-like precision, was analyzing data streams with obsessive attention to detail. "Princess, I'm detecting an anomaly approaching our position. A nebula of unknown composition, approximately—"

"Fascinating," Princess Amy interrupted, borrowing Spock's favorite word. "On screen."

The viewports filled with an approaching gray mass—not the vibrant colors of typical space phenomena, but something muted and heavy, like storm clouds made of emotional static.

"It's probably nothing," Joy said quickly, adjusting her controls. "I can route around it and keep us on our happy trajectory."

But even as she spoke, the nebula began to envelope the ship.

Darkest Anticipation

"Princess, the happiness generators are losing power!" Anxiety called out, his Scottish accent thickening with worry. "The whole joy grid is fluctuating!"

Through the viewports, Princess Amy saw their destination starting to fade. Traffic had slowed to a crawl ahead of her, and an ominous cloud of gray smoke billowed from something up front. The flashing lights of an emergency vehicle were barely visible through the smoke, which was now taking on a sickly yellow hue. 

"Joy, compensate!" Princess Amy ordered. "Increase positive output across all channels!"

Joy's fingers flew over her console, but her usual bright demeanor was straining. "I'm trying, Princess, but the nebula is interfering with everything! Even my happy memories of Ocean Isle are coming through distorted!"

At the life-support monitors, Anxiety was practically vibrating with nervous energy. "Princess, my calculations indicate a 73.6% probability of total system shutdown if we remain in this nebula. Wait, that's 74.2%. No, 75.8%—the numbers keep getting worse!"

"Give me more power to the optimism engines!" commanded Amy.

"I'm givin' her all she's got, Princess!" Anxiety replied, sweat beading on his forehead. "But the dilithium crystals in the confidence core are crackin' under the pressure!"

That's when they all heard a low, mournful sound coming from the medical bay. Dr. Sadness, whom Princess Amy had confined at the first sign of the nebula, was trying to communicate.

"Ignore that," Princess Amy said firmly. "Sadness is malfunctioning. We don't need that kind of negativity on the bridge right now."

But the sound grew louder, more insistent.

The Revelation

As the ship drifted deeper into the gray nebula, something unprecedented happened. Through the viewports, Princess Amy watched in horror as the traffic came to a complete stop.

"Princess!" Anxiety's voice cracked with panic. "I'm picking up more emergency sirens coming from behind us. We're in danger of being trapped in this traffic jam!"

Joy, her usual sparkle dimmed to barely a glimmer, turned from her station. "Princess, I... I can't maintain communications. Everything I'm sending out is just... empty. Like I'm broadcasting to no one."

Just then, the sickbay doors whooshed open, and Sadness stepped onto the bridge. Princess Amy’s first instinct was to order her back to sickbay, but something held her back. Perhaps it was the way Sadness moved—not with defeat, but with the quiet confidence of someone who knew exactly what needed doing.  

"Princess," Sadness said softly, "I know this nebula. I've charted its emotional frequencies before."

"Doctor, return to sickbay immediately," Princess Amy snapped. "We're handling this situation."

"No," Sadness replied, with more firmness than anyone expected. "You're not handling it. You're making it worse. There's a turning lane directly ahead. If we slowly inch into the left lane, we can drive the shoulder of the road to the turning lane and head back the way we came."

Reason's eyebrows shot up. "That turning lane explains the inverse correlation in my readings..."

"The nebula isn't our enemy," Sadness continued, moving toward Joy's communication station. "It's a natural phenomenon. But we can only navigate it if we acknowledge what it actually is, not what we want it to be."

Princess Amy felt her command training warring with her instincts. "But if we let you take control of communications, that will make everything worse."

"Trust me," Sadness said simply. "Sometimes the only way out is through."

The New Frequency

Princess Amy made the hardest command decision of her career. "Sadness," she said, "take the communications console."

Joy stepped aside, her expression uncertain but not resentful. "What should I do?"

"Stand by," Sadness said gently. "I'll need you soon. But first, let me send out the right kind of signal."

Sadness's hands moved over the controls with surprising skill. Instead of Joy's bright, cheerful broadcasts, she sent out something different—honest, raw, real. Slowly gliding Wynd Horse to the shoulder of the road, she began to signal: "We need help getting into the left lane."

Something miraculous happened. The truck beside us backed up a few feet, and the driver waved us into his lane. Other cars began to respond, and Joy's wall of forced positivity slowly gave way to calm.

"Princess," Anxiety called out, his voice filled with wonder instead of worry, "the traffic pattern behind us is stabilizing! The honest communication is actually strengthening our core systems!"

"Fascinating," Reason added, his calculations finally making sense. "When we acknowledge the nebula instead of fighting it, it loses its power to drain our systems."

Sadness looked toward Joy with a gentle smile. "Now I need you to help me broadcast hope. Not false happiness, but real hope. The kind that acknowledges the darkness but trusts in the light."

Joy and Sadness worked together at the communications console, their different frequencies creating something beautiful—a harmony that was neither purely happy nor purely sad, but authentically human.

Clear Skies Ahead

As Wynd Horse emerged from the nebula, Princess Amy looked out through the viewports to see two vacant lanes leading them back the way they came. Her confidence wasn't simply restored; it was somehow stronger. Highway 17 was navigable again, but this time with better driving conditions.

"Captain's log, supplemental," Princess Amy spoke into her recorder. "We have successfully navigated the Melancholy Nebula, but not in the way I expected. The mission taught us that our crew member Dr. Sadness isn't a malfunction to be contained—she's our early warning system, our emotional radar, and sometimes, our guide through territories that Joy cannot navigate alone."

She paused, looking around the bridge where all her crew members now worked in harmony.

"I've learned that a good captain doesn't suppress her crew—she learns how to deploy their unique strengths when they're needed most. Sometimes the bravest thing you can do is admit when you're lost and ask for help finding your way home."

Joy looked up from her station with a smile that was somehow both bright and wise. "Princess, I'm picking up clear signals ahead. But if we encounter another nebula..."

"We'll face it together," Princess Amy said firmly. "All of us. That's what makes us a crew."

In the distance, space stretched out in all its vast possibilities, and the GSS Wynd Horse sailed on—not toward false happiness, but toward something better: authentic hope, that in a few minutes, the ship would cross the Cape Fear Memorial Bridge and enter the Castle Street Arts District where Cafe Luna would be waiting with plenty of espresso to reward the crew for bravery in the face of life's emotional weather.

Author's Supplemental:

The GSS Wynd Horse continues its five-year mission to explore strange new moods, seek out new emotional territories, and boldly go where this mind has never gone before—into healthy, integrated emotional awareness. 

The Genome Project

It occurred to me recently, while standing in the cereal aisle contemplating the existential implications of choosing between Fiber One and Cheerios, that I am not unlike the human genome itself. How did that happen? Better to accept it and move on I think, don't you?



I'm not saying that I contain the biological blueprint for human existence—that would be rather presumptuous, even for me. Think of it this way: The human genome contains genes that determine everything from eye color to the unfortunate tendency to worry about hurricane season in May. In much the same way, I've been informed by various celebrity 'Genes' whose combined influence resulted in the peculiar specimen that stands before you today.

Gene Autry (The Dominant Gene)

The "Singing Cowboy" represents my most influential genetic component, responsible for what Ms. Wonder diplomatically refers to as my "moral compass that points True North even when it isn't." 

From Gene Autry comes my unwavering belief that one should never shoot first, always tell the truth, and help people in distress—even if that distress is bringing home a caffeinated latte when Ms. Wonder clearly asked for half-caf.

The Autry Gene accounts for my tendency to view the world in terms of good guys and bad guys, with very little gray area in between. It's the Gene Autry influence that genuinely surprises me when people don't follow the Cowboy Code, and it's probably why I still believe that most problems can be solved with a firm handshake and a willingness to do the right thing.

The singing aspect of this gene remained mercifully dormant, but that hasn't kept me from turning the volume up to eleven and belting like Bette.

Gene Roddenberry (The Optimistic Futurist Gene)

The creator of Star Trek contributed the part of my genetic makeup that makes me think every disagreement can be resolved through thoughtful dialogue, that diversity makes us stronger, and that the future will be significantly better than the present. This gene also accounts for my tendency to see profound meaning in everyday encounters and my belief that we're all part of a larger, more meaningful narrative.

The downside is that I occasionally sound like I'm delivering a captain's log entry when discussing relatively simple matters, such as whether to add caramel truffle flavoring to my oatmilk latte.

Gene Wilder (The Anxious Creativity Gene)

The brilliant comedian and actor contributed the genetic component responsible for my vivid imagination, my ability to see humor in stressful situations, and my tendency to worry creatively about potential disasters. 

The Gene Wilder influence manifests in my ability to find comedy in chaos, my appreciation for the absurd, and my talent for turning personal neuroses into entertainment. It's this gene that leads me to write The Circular Journey.

Gene Tierney (The Elegance Gene)

The classic Hollywood actress contributed the component responsible for my appreciation of sophistication, beauty, and the finer things in life. This gene is responsible for my preference for well-crafted sentences and accounts for my belief that presentation matters almost as much as substance.

Her influence manifests in my tendency to see ordinary moments as potentially cinematic, and my belief that grace and dignity are always in fashion. It's this gene that makes me think that what you say is less important than how you say it.

Gene Kelly (The Grace Gene)

Now, before you begin laughing, hear me out. The Gene Kelly influence doesn't manifest in the ability to dance. No, my behavior on the dance floor has a striking resemblance to a startled giraffe. Rather, Mr. Kelly is responsible for my appreciation of elegance and my belief that life should have a certain choreographed quality to it.

It's the Gene Kelly in me that insists on making a Broadway production out of mundane activities—like grocery shopping or checking the weather.

Unfortunately, this gene also contributes to my unrealistic expectations, which leads to considerable frustration when reality refuses to follow my internal choreography.

Gene Pitney (The Melodramatic Gene)

The singer known for emotionally intense ballads like "The Man Who Shot Liberty Valance" contributed the genetic component responsible for my tendency to find profound emotional significance in relatively minor events. It's the reason I turn a simple trip to the hardware store into an epic journey of self-discovery.

It's the Gene Pitney influence that makes me feel deeply about things that others might dismiss as trivial, that turns everyday disappointments into tragic ballads. 

This genetic component makes me genuinely empathetic and emotionally engaged with the world, but it also makes me sound like I'm narrating a soap opera when describing my day at the beach.

Gene Rayburn (The Conversational Gene)

The beloved game show host contributed the genetic component responsible for my love of wordplay, my ability to keep conversations flowing even when they're going nowhere in particular, and my genuine enjoyment of other people's company. 

This genetic component also accounts for my tendency to treat casual conversations as if they were game shows, complete with dramatic pauses and the expectation that someone will eventually provide a clever punchline.

The Synthesized Genome

Like the human genome, these various genetic influences sometimes work in harmony and sometimes create interesting tensions. But somehow, they combine to create the particular specimen known as the Genome—a being who approaches life with cowboy ethics, choreographed expectations, starship optimism, cinematic appreciation, ballad-worthy emotion, comedic anxiety, and game show enthusiasm.

I should mention that none of these celebrity Genes actually contributed to my biological makeup. That would be both impossible and quite disturbing. But in terms of cultural DNA, well, that's a different sort of genetics entirely.

And considerably more entertaining than the cereal aisle, I might add.

Shady Grove Chronicles

It has come to my attention, with a jolt like that of a rogue tennis ball striking me squarely between the eyes, that I've committed a rather significant oversight. My sincere thanks go to Ms. Wonder for gently (more or less) reminding me that I'd all but forgotten the second reason for embarking on this "circular journey."



If you're a regular here, you're undoubtedly familiar with the disarray of my brain's internal wiring, which often leads to neurotransmitter imbalances and, eventually, to this blog. Finding humor in the absurdities of my daily existence is, of course, the bedrock of The Circular Journey.

What you might not realize, however, is that when I first put fingers to keyboard, I hoped to unravel the winding path from my origins in Shady Grove—a world now shrouded in the mists of time—into the wider, often wonderful, world I inhabit today.

A Glimpse of Shady Grove

Shady Grove was (and probably still is) a sliver of rural paradise, nestled comfortably between the gentle curves of a freshwater lake and the majestic Tennessee River. One might be tempted to call it idyllic, if one were loose with the facts, a habit I strive to avoid.

This tiny community boasted one long, flat country road with a stop sign at one end that should have included one of those warnings you see on old maps, "Beware of Dragons." The road was bookended by churches with such strict tenets that even the local squirrels observed an unnatural civility on Sundays.

It was here, amid the dappled sunlight filtering through ancient oaks, that young Genome first encountered the rich tapestry of human eccentricity that would forever shape his worldview.

While the events described will be drawn from the actual experiences of my youth, I will employ what I like to think of as "creative non-fiction," and what my Great Aunt Cynthia would term "stretching the truth until its ribs squeak." I'll be recounting true events, but I'll highlight certain aspects to capture the inherent humor and absurdity that my younger self, bless his heart, was too busy living through to fully appreciate.

Unless you're new here, you know that I draw inspiration from that master chronicler of English country life, P.G. Wodehouse, whose Blandings Castle stories remain the pinnacle of literary comedy. I make no claims to approaching his genius, but will do my utmost to capture something of his spirit in describing the inhabitants of the Grove.

And what inhabitants they were! Allow me to provide a brief introduction for two of the main characters you'll encounter in the coming days:

Great Aunt Cynthia, who operated as a sort of alternate mother, dispensing wisdom and peach cobblers with equal generosity. Her kitchen was a realm of culinary magic, where recipes existed not in written form but in the mystical measurement system of "pinches," "dashes," and "just enough."

You may remember Aunt Cynthia and Uncle Paul from an earlier post. It was Aunt Cynthia, who was awakened by an early morning car crash outside her bedroom window, and shouted, "Wake up, Paul, and get your pants on, Jesus has come back." Uncle Paul, always the practical one in the family, woke and replied, "If Jesus is here, I don't think he'll mind that I'm in my pajamas."

Aunt Cynthia loved to sit on the front porch on Sunday afternoons and regale the neighborhood with songs made famous by George Beverly Shea, the primary soloist for the Billy Graham crusades. The song for which he is most famously known, "How Great Thou Art," was a favorite of Aunt Cynthia.

She had one of those Ethel Merman* voices, and the lyrics echoed down the holler, across the lake, and beyond. I'm certain that once we develop instruments sensitive enough to pick up ancient sound waves, I'll hear her voice once again, singing "O Lord my God, when I in awesome wonder..."

Aunt Cynthia loved to ride the lawn mower--it was the only motorized vehicle she could drive. She even used it to visit neighbors in the Grove. It was she who kept the lawn neat, and her husband, Uncle Paul, once told my father that he couldn't bear watching her mowing the grass in the midday heat of summer, so he moved his hammock from the front yard to the back where he wouldn't have to see her.

Our other next-door neighbor was Great Aunt Maggie, the family's unofficial guidance counselor. She approached problems with the analytical precision of a chess grandmaster and the vocabulary of a sailor on shore leave. Her advice, while invariably sound, was delivered with such bracing directness that one often needed to lie down afterward.

Aunt Maggie was known around Shady Grove as the resident "witch." Anywhere else, she'd simply have been called the herbalist, possessing all that wonderfully arcane knowledge about wild plants and their surprising ability to soothe the human condition. I always fancied myself her favorite, though it dawns on me now that I was probably just conveniently located next door.

She taught me how to identify the plants she needed for her elixirs and salves and sent me into the surrounding forests to collect what she needed. She cured all the usual suspects--headaches, colds, sore throats, tummy trouble, bruises, cuts. She even put together a poultice* that pulled a tiny piece of glass out of my heel.

The backdrop to these characters and their exploits was a community bound together by tradition, hard work, and weekend gatherings where bluegrass jam sessions would materialize on front porches as naturally as morning dew. The residents—descendants of Welsh, Irish, and Scottish settlers—carried in their blood a certain stubborn self-reliance mingled with an appreciation for music, storytelling, and occasional bouts of good-natured feuding.

It was a place where time moved according to its own particular rhythm—marked not by the ticking of clocks but by the changing of seasons, the ripening of crops, and the rotation of Sunday sermon topics. The outside world, with its politics and progress, seemed to maintain a respectful distance, as though recognizing that Shady Grove operated according to its own immutable laws.

In the coming installments of what I shall grandly term "The Shady Grove Chronicles," I hope to transport you to this singular place and time. You will witness young Genome's navigation of the complexities of rural life, his encounters with the profound wisdom and magnificent peculiarities of his elders, and his gradual realization that the seemingly simple community of his youth contained universes of complexity.

So, I invite you to join me on this circular journey back to where it all began. Just be sure to pack a willingness to laugh, a fondness for the absurd, and perhaps a pinch (or a dash, or just the right amount) of forgiveness for the follies of youth. I'll do my very best to make the trip worth your while.

Bell Detective Agency

Agent Walter Bell and I met every morning at SoDu Cafe in South Durham to discuss the criminal landscape of the North Carolina Triangle—a region where crime, as we liked to dramatically declare, was "always rampant." 



Truth be told, we didn't concern ourselves with ordinary crime—the garden-variety misdemeanors that kept the Triangle's finest police officers occupied. No, we specialized in the fringe elements that often slipped through the cracks of conventional law enforcement, the cases that raised eyebrows and occasionally defied explanation.

Walter was a joyful and genuinely friendly man, and the world's number one supporter of his beloved alma mater, Clemson University. A retired FBI agent with a treasure trove of stories—each one more hilarious than the last, not just because of their bizarre subject matter but because of Walter's unmatched gift for storytelling—he had me in stitches daily. 

After wiping away tears of laughter one morning, I suggested we formalize our coffee meetups into something more official. Thus was born the Bell Detective Agency, with Walter as our senior investigator and me serving as the computer forensic specialist (which meant I knew how to Google answers that Walter couldn't get from Siri).

We decided to focus exclusively on crimes that slipped through society's proper, polite cracks—offenses as unique and diverse as the Triangle's eclectic population. The cases that came our way would have made streaming television writers throw their scripts in the trash for being "too unrealistic."

Take, for instance, the Duke Healthcare System's renowned weight-loss program. The program is so effective it's barely advertised, surviving purely on whispered recommendations that keep it perpetually at the fire marshal's occupancy limits. 

With such a large group sharing the same lifestyle came an inevitable subculture, and where culture blooms, crime inevitably follows. In this case, it primarily involved black market protein shakes and scalping tickets to movies in the city's extra-wide seat theaters. 

Then there's Durham's reputation as an extraordinarily gay-friendly city. LGBTQ+ individuals flock here from around the country, drawn by the radical notion of being treated like everyone else. This openness created another vibrant subculture, accompanied by its own brand of criminal activity, mostly involving glitter theft and the occasional drag competition scandal.

The third subculture stretching across the Triangle, from Chapel Hill to Raleigh, involved divergent religious practices. The rebellious spirits of students from Duke, UNC, and NC State attracted a dazzling array of spiritual practices. You could encounter faiths in the Triangle that existed nowhere else: Reformed Santeria, college-dorm Voodoo, and what Walter called "Convenience Store Wicca" (practiced primarily near the beer and chips aisles).

In short, as Walter would deadpan with perfect comedic timing, the Triangle was essentially a hotspot for "fat, gay, zombie criminal activity." A phrase he delivered with such earnest professionalism that it took me three weeks to realize he was joking.

Our routine was sacred: meet at SoDu Cafe each morning to assess criminal activity and prioritize our day's investigations. We came ostensibly for their unbeatable flat whites—truly the best in the Triangle—but we were equally there for underground intelligence gathering (and the occasional cheese danish).

Our primary informant was a barista named Amy Normal, the self-anointed "Emergency Backup Mistress of the Greater SoDu Night." To clarify, she filled in when the official Mistress was detained elsewhere. It was a stressful position, as Walter would say with exaggerated gravity. Her real name was Awet, though we suspected even that was an alias (Walter had a complex theory involving witness protection and social media avatars).

Awet and the mysterious primary Mistress reportedly used their "mystical wiles" to keep otherworldly criminals in check. During our tenure, the biggest problem appeared to be vampire cats—yes, you read that correctly. A cat named Chet had apparently been the emotional support animal to a bipolar vampire with severe anxiety. While I understand anxiety struggles all too well, I doubt my midnight panic attacks compare to those of a centuries-old bloodsucker with vitamin D deficiency.

Walter and I would diligently collect intelligence from Awet and formulate our daily plans with MI6 precision. Our operations involved surprisingly little action—neither of us particularly enjoyed being out after dark (Walter needed his eight hours, and I preferred to avoid both mosquitoes and the undead). Nevertheless, we reasoned the feral vampire colony knew we were tracking them, which theoretically dampened their nefarious activities.

The Bell Detective Agency operated for about two years until Walter relocated to Charlotte to live with his son. I missed him terribly—still do. Walter resides with the angels now, where I'm certain he keeps heaven in stitches with his outlandish stories of fighting crime from the Kansas City FBI office. 

I haven't heard his voice in some time, but I can still hear his distinctive laughter in my mind. And I know with absolute certainty that on college football game days, he can be heard throughout the celestial realm, shouting with characteristic enthusiasm, "Go Tigers!"

The world is quieter and even a little boring without Walter Bell in it, but somewhere out there in the afterlife, a group of angels is wiping away tears of laughter as Walter regales them with tales of our vampire cat investigations. And that thought makes me smile every time I think of it.

Sleepy Hollow Revisited

"There is a little valley, or rather a lap of land, among high hills, which is one of the quietest places in the whole world. A small brook glides through it, with just murmur enough to lull one to repose, and the occasional whistle of a quail or tapping of a woodpecker is almost the only sound that ever breaks in upon the uniform tranquility." 

--Washington Irving, The Legend of Sleepy Hollow





We first learned about the Sleepy Hollow covered bridge from William Magnum's wonderful book of original paintings, "Carolina Preserves." On page 105 is the artist's depiction of a red, barn-like structure spanning an icy mountain stream, new snow gently clinging to the boughs of fir trees that stand in the foreground—a scene so perfectly pastoral it could make a Currier & Ives greeting card blush with envy.

(Google it now, in my opinion, because you won't be able to break away after reading the next paragraph.)

Ms. Wonder and I first searched for the bridge years ago and wrote about our adventure in The Raleigh News & Observer. Finding it the first time was no simple task, involving what I diplomatically described as "spirited navigation discussions" and what Ms. Wonder less diplomatically called "your stubborn refusal to ask for directions."

By the time we arrived, the heavy cloud cover had ceased its idle threats and decided to let loose with the determination of a weather goddess that had been saving up all morning just for this very moment. The narrow bridge lay in deep shadow cast by several big-toothed aspens standing at the far edge of a sandy-floored meadow.

Wynd Horse entered the one-lane bridge slowly, and the loose floorboards shifted against their joists as her tires pressed down on them. The sound they made was like horses' hooves on packed earth—pumble-lunk-lunk, pumble-lunk-lunk—a rhythm that would have made excellent percussion for a Bob Dylan folk song in the pre-electric guitar era.

Entering the bridge, I was reminded that, in an earlier age, posted signs would caution travelers to "Cross This Bridge At A Walk," and the warning often specified a fine for crossing at a faster pace. Severe damage to the bridge and to draft animals could result from weak boards—a concern that modern drivers, accustomed to interstate highways engineered to withstand Trump's tank divisions, might find quaintly alarming.

We exited the bridge onto a small lap of land, grassy and inviting, and hemmed in by steep hills that rise far above it like the walls of a natural amphitheater. Who knew that Mother Nature had such a profound appreciation for intimate acoustics?

We parked at a wide bend in the road, sheltered from the rain by the thick forest canopy that performed admirably as nature's umbrella. Thickets of rhododendron growing on the creek banks muffled the noise of traffic from the nearby highway. The steep hill behind us blocked out all other noise, creating what acoustical engineers would probably call "optimal ambient isolation." I call it the world's most comfortable outdoor cathedral.

Only the twittering of juncos could be heard above the constant gurgle of the stream and the heavy static of rain—a soundtrack that no streaming service could ever quite replicate. I love knowing that nature can surpass the best attempts of digital technology. The quiet was so mesmerizing we spoke very little for the first several minutes, both of us apparently under the spell of a silence so complete it seemed almost ceremonial.

Suddenly, I was transported to another Sleepy Hollow, one that sheltered me for the first eighteen years of my life—a place that existed not on any map William Magnum might paint, but in the carefully preserved geography of memory.

In the heart of one of those spacious coves that indent the northern shores of Lake Chickamauga, at a broad stretch of the Tennessee River, lies a small rural community, known to some as Yaphank, but properly called Shady Grove. The confusion over names was, I suspect, entirely intentional—a way for the locals to keep outsiders guessing and tourists from finding the good fishing spots.

The name supposedly came from a much earlier time when the good people of the area would take their lunch in the cooling shade and then linger until the last minute before returning to their gardens and livestock. Whether this is true or not, I can't say; though knowing my ancestors, it's entirely possible they named their community for their favorite pastime: the strategic avoidance of afternoon labor.

This little village, perhaps no more than half a mile long, is nestled among high hills and ridges, making it one of the quietest places in the world. A small brook glides through it, creating a soft murmur, just enough to lull me to sleep in the front porch swing on the lazy summer afternoons of my youth.

The only sounds breaking the uniform tranquility were the sweet song of a mockingbird, who seemed to know every tune from the Billboard Top 100, and the sharp rap of an acorn dropped by a blue jay onto the tin roof of my father's workshop. That Jay had a remarkable sense of comedic timing.

Mr. Irving concluded his opening description of Sleepy Hollow with these words: "If ever I should wish for a retreat, I know of none more promising than this little valley." His words aptly describe this Sleepy Hollow in the North Carolina mountains, and that Shady Grove in the Tennessee foothills.


Serenity's Revenge

Earlier today at the Circular Journey Café, Island Irv and I had coffee with a friend named Elliott, although Irv and I call him Brambles for his insistence on wearing wild, unkempt hair, a wispy beard, and bare feet. 

The trouble began, as troubles often do, with excellent intentions and a sixteen-ounce flat white. "Gentlemen," Brambles announced, his voice carrying the weight of a man who had discovered a conspiracy of cosmic proportions, "I believe my coffee has been poisoned."

"Poisoned?" I repeated, glancing at the cheerful café atmosphere around us. "How? Why?"

"My ex-girlfriend, Serenity, is operating the espresso machine today," he said. "I had no idea she worked here when I ordered."

Island Irv, who believes that all coffee-related drama stems from the Enlightenment, said as he looked deep into his own espresso, "So you think she put something in your coffee? Maybe she’s just genuinely committed to good customer service.”

Elliott was having none of it. He shook his wild, unkempt head. “She gave me that smile when she handed me my drink.”

“That’s standard protocol," I said.

“No,” he said. “It was the smile that says, ‘I hope you enjoy your little cup of regret for dumping me, Todd.’”

“Your name’s Elliott,” I reminded him.

“She used to call me Todd when she was mad at me. It was a thing. I'm sure she put something in it."

“What would she put in it that would be so terrible?” asked Irv, giving the cup a sniff.

“I don’t know. I'm convinced she's added something that will either make me projectile vomit on the nice couple at table three, or send me rushing to the restroom when someone else is occupying it."

I examined the coffee: it looked perfectly ordinary, though I reasoned that was the mark of a well-planned poisoning. “I think you’re being a little paranoid,” I offered.

"Why don't you simply order another coffee?" Irv suggested with the practical wisdom of a man who had never overthought a beverage.

"Can't," Elliot said. "She's watching me. Every time I think she's occupied somewhere else, she materializes like some sort of caffeinated apparition. It's as if she has radar."

He wasn't far from right. As if on cue, Serenity looked toward our table and waved with the enthusiasm of someone who is genuinely pleased to see her ex-boyfriend.

"Right," I said, rising with the determination of a man accepting a noble mission. "I'll get your coffee. I'm expected to order at least two every Sunday morning. She won't suspect anything."

She was waiting for me when I approached the counter. “Back already?” she asked sweetly.

"Sixteen ounces of the very best African bean, blended with oatmilk, and a dash of nutmeg," I said, avoiding eye contact like a spy delivering a password.

"Elliot takes his espresso with cinnamon, not nutmeg," she said, her tone as innocent as a cherub.

I froze. How could she possibly know? I tried to remain stoic, but she read my face like a TikTok meme.

"Lucky guess," she said, beginning to prepare the drink with movements that seemed almost too deliberate. "Tell him I said hello."

I returned to our table feeling I'd been outmaneuvered by a master.

"Well?" Ned asked anxiously.

"She knows," I reported. "Somehow--I don't know how--but somehow she knows."

Island Irv stood up, cracking his knuckles like a gunfighter preparing for a showdown. "I'll take care of this. I've got experience with difficult women."

"All women are difficult when it comes to you," I pointed out, but he was already striding toward the counter.

Five minutes later, he returned with an expression of bewildered defeat. "She asked if I wanted extra foam for Ned's latte before I even had a chance to order. Then she talked me into trying something she called a turmeric shot. I felt powerless. It went down hot."

In the next few minutes, Serenity disappeared into the back room, and Irv made another attempt only to see her re-materialize like caffeine-fueled mist just as he reached the register.

“Anything for you, sir?” I heard her ask Irv, and she wore that now-familiar smile—the one that apparently meant “Todd.”

After three more rounds of this game—each ending with one of us ordering unnecessary baked goods or, in Irv’s case, an alarming second turmeric shot—we decided to try honesty.

I approached her and said, “Serenity, did you put something in Elliot's drink?”

She looked me in the eye and said, “I put love and care in every beverage I make.”

“That doesn’t answer the question,” I observed.

“I believe a little mystery enhances the flavor,” she replied," and we strive to exceed the expectations of every customer on every visit."

"Well, could you at least promise not to put anything unpleasant in his next order?" I asked.

Serenity paused in her cleaning, considering the request with the gravity of a judge weighing evidence. "I could," she said finally, "but I won't."

"But why not?"  I asked.

"Because," she said, her smile taking on a distinctly mischievous quality, "where's the fun in that?"

I retreated in tactical defeat, leaving Elliot to contemplate his potentially sabotaged beverage with the expression of a man facing his doom.

"So what do I do?" he asked.

Island Irv shrugged with his characteristic philosophical acceptance of life's absurdities. "Drink it or don't drink it. Either way, you'll know."

"That's your advice? Drink the potentially poisoned coffee?"

Without asking for permission, Irv took a tentative sip of the suspected latte, his face immediately contorting into an expression of profound confusion.

"Well?" Elliot asked.

"It's..." Irv said, taking another sip, "actually quite good. Excellent, even."

Elliot stared at him in astonishment.

"The best coffee I've had in months," Irv continued, draining the cup with apparent relish. "Rich, smooth, perfectly balanced. Whatever she put in it, it worked."

From behind the counter, Serenity's laughter chimed like silver bells, and I realized we'd witnessed something far more sophisticated than mere sabotage. It could only be described as the most elaborate hoax designed to mess with someone's mind in the history of café culture.

And so we left the cafe this morning with Elliot clutching a second cup of Serenity's mysterious brew, and Irv praising the consciousness-expanding powers of turmeric-induced enlightenment. 

I suspect Serenity's real revenge was in watching us spend half an hour convinced we were part of some evil conspiracy, when all along she was simply doing what any talented barista would do—making sure every cup was memorable. I'm beginning to believe that baristas wield more power than sorcerers.

Day's Unveiling

The predawn hour lulls you into thinking the world is still asleep, wrapped in a blanket of quiet. But if you listen closely, you hear the rustle of leaves, the faint chirp of a bird who didn’t get the memo about sleeping in. It’s nature’s way of a good stretch and a big yawn, getting ready to throw back the covers and greet the day.



The Unveiling of Morning

On this particular morning, the air had that crisp, new feel, like a freshly minted hundred-dollar bill. There was a faint scent of possibility wafting on the breeze coming uptown from the Atlantic.

The ancient oaks lining Third Street, usually so stoic, seemed to shiver with excitement, their branches reaching greedily for the sliver of light just peeking over the horizon. In my mind, I could hear them say, "Kvncvpketv [Gun-jup-ghee-duh" in the language of my ancestors, meaning "Don't get too cocky."

I parked in front of the Circular Journey Cafe, and when I stepped out of Wynd Horse, a solitary bird let out a tentative trill. Then another joined in, and another, until the whole neighborhood seemed to hum with a quiet, growing chorus. It wasn't the full-blown orchestral performance of mid-morning, but more like tuning up before the main event. 

A Daybreak Melody

It reminded me of those early Manilow tracks, the ones where the piano gently introduces the melody before the full brass section kicks in. "Daybreak," I thought, "it's always the gentle beginning, the quiet promise of what's to come." 

And sometimes, what's to come is just another day of trying to convince the sewer harpies to leave Princess Amy alone so we can get some work done on the media empire we're quietly building to bring some sanity back to the world.

Haven't you heard about that project yet? Oh, I thought I'd mentioned it. Hmm, maybe there's a good reason I haven't brought it up. I'll give it more thought. There's no rush; I was interested in getting your opinion, but we can talk about it later.

Until then, I'll leave you with a bit of public service: Keep smiling and be assured that good things are coming. Until next time, be happy, be healthy. As simple as they are, even those words seem filled with grand possibilities on a morning like this.

Daybreak

There’s something about daybreak that feels like the universe’s way of apologizing for the night before. That’s how I described it to Island Irv this morning as we sat outside The Circular Journey Café, sipping our coffee and watching a jogger arguing with a Canada goose about sidewalk right of way.


“The goose is going to win,” Irv said, nodding toward the honking bird, which had assumed a power stance and refused to yield the path.

“The jogger might as well take the long way around,” I agreed. “It’s better to respect the wildlife hierarchy. They carry a grudge for a long time.”

We both leaned back, letting the morning light fall across our faces like a kindly grandmother’s shawl. This was daybreak as it should be—golden, a little smug, and just humid enough to remind you of your laundry situation.

That’s when Lupe appeared, wearing sunglasses that suggested she either hadn’t slept or had just come from a press conference.

“Good morning,” she said, drawing the phrase out like it owed her money. “Why are you two sitting here like you just solved world peace?”

“Because daybreak,” I said.

“Because goose standoff,” added Irv.

She took a long, suspicious look at our coffee mugs. “Are those egg sandwiches I smell?”

“Indeed,” said Irv. “I ordered the Signature Sunrise Delight. Genome here went for the Cheddar Nest.”

Lupe narrowed her eyes. “Brave choices. The new barista’s name is Serenity, but I wouldn’t count on her emotional availability.”

“I liked her,” I said. “She called me ‘chief’ and asked if I wanted my sandwich to feel cozy or adventurous.”

“She looked like someone who might have taken a weekend ayahuasca workshop,” Irv whispered. “The kind where they talk to raccoons about forgiveness.”

Just then, Serenity herself emerged from the café with a steaming mug and a single pastry balanced on a plate. She had the aura of someone who spoke fluent tarot and possibly knew what our credit scores were.

“I brought you a chai, Princess,” she said, setting the mug before Amy with the solemnity of a moon priestess. “And a lemon scone with rebellious energy.”

Lupe stared at it. “Is it safe?”

“It has the consciousness-expanding power of a shot of turmeric," Serenity explained.

We all paused.

“Well, alright then,” Lupe announced and eagerly set in on the scone.

“Signal if you need anything else,” Serenity said, before floating back inside.

“I miss the old barista,” Irv muttered. “He couldn’t steam milk to save his life, but he never asked about my birth chart before handing me a bagel.”

“You’re just cranky because you dropped egg yolk on your shoe,” I pointed out.

He looked down at his foot, sighed, and then muttered something about ‘being targeted by the sun.’

We lapsed into silence again, watching the goose chase a squirrel, abandoning the pursuit halfway through in what appeared to be a mutual agreement.

“I think this is what Barry Manilow meant,” I said eventually. “About the moment when the night is through. You know—that sparkle that insists, ‘things are actually okay, despite everything you dreamed about in the third REM cycle.’”

Lupe looked up from her scone. “Barry Manilow also said to get up and look around, so how about getting me a napkin?”

She said this in the tone of someone who would lead a rebellion if her lemon glaze started to flake.

So I stood and handed her a napkin with ceremonial reverence.

“You two are ridiculous,” she said, dabbing delicately.

“But it’s daybreak ridiculous,” Irv said. “The best kind.”

We all fell quiet again, watching the light climb the palms and listening to the bird gossip carried on the gentle breeze. 

The coffee warmed us. The scone, as it turned out, wasn’t cursed. And then, as if by magic, Vintage Vinyl, the record shop next door, turned up the outdoor speakers to play an old vinyl recording of Daybreak itself.

As Mr. Mannilow crooned, Lupe leaned back in a zen-like repose, Irv seemed lost in let's remember, and even the goose seemed to mellow out.

“Let’s stay here forever,” I said, "like Sugar Mountain." My two companions nodded in agreement because at daybreak, anything feels possible—even miracles.

Not Just Ships

We were back at our regular table at the Circular Journey Café—window seat with a view of the street that offered just the right amount of distraction for deep creative thinking and a guy like me with an attention deficit personality to keep occupied.


Ms. Wonder sipped her espresso and adjusted her scarf in that casual, effortless way that seems to be her birthright. I can't quite figure out how she manages it, but I have a feeling it's in her DNA—perhaps something her ancestors learned while in service to Catherine the Great.

“I’ve been looking for a new venue for the Ships of the Cape Fear series,” she said, eyes lighting up with that now-familiar spark of visionary momentum.

I nodded slowly, trying to look like someone who knows things about cargo ships. I'd try pretending to know something about abstract expressionism, but it's never worked before, so I gave it a miss.

“Ah, yes," I nodded. "The floating rectangles of industry.”

She ignored me sweetly. “Not just ships--they're abstract compositions. I’m fascinated by their structure—the precision, the engineering, the sheer audacity of them.”

I glanced out the window where a pit bull had stopped to stare at me through the window, as if to ask if I was going to pretend I could connect "audacity" to cargo ships.

"Audacity?" I asked. "That’s the word you’re going with?”

I asked the question after realizing that if a pit bull knew I was clueless, it could easily be proven against me in court, so why pretend? Would you have done the same?

She smiled. “Absolutely. These vessels are not just ocean-going machines. They’re like... mechanical poetry.”

“Of course,” I said, flipping my notebook to a blank page, in case inspiration struck me for a new blog post. “Mechanical poetry," I said to hide the fact that what I'd actually written was 'Help me!' 

She sipped her latte and then, with a wistful look in her eyes, she said, “My grandfather was a structural engineer. He designed government buildings in Santa Fe. They were admired for their efficient design and functional utility, but they are also beautiful in their symmetry and purpose. That’s where it started for me. I appreciated how form serves function.”

I nodded, possibly too eagerly. “So, cargo ships are designed specifically to efficiently carry cargo across a great expanse of ocean, and yet, even though their design has nothing to do with beauty, it somehow creates an awesome, inspiring structure."

Ms. Wonder paused. “How did you do that?" she said with wide, admiring eyes. Her look gave me a jolt of feel-good in a way that old me I could coast through the rest of the conversation. I don't mind telling you, I was on top of the world.

"They're like colossal timepieces, in a way," she said. "Each gear, lever, and bolt work together at a level of harmony and scale that's beautiful. It’s abstract art born of industry.”

I took a thoughtful bite of my croissant, reminding myself that the less I said, the better. “I see,” I said, which was mostly untrue, but seemed safe. I looked back out the window at the pit bull and raised an eyebrow and waggling my head in a self-satisfied way. The dog looked at the human following on the leash behind him and then walked on.

“They’re not just ships,” Wonder continued. “They’re monuments to human ingenuity.”

“Hmmm,” I said strategically.

She laughed. “I know it may sound strange to you. But when the afternoon light is glancing off a curved hull, and the steel is marred by the action of wind and waves," her eyes took on that faraway look again, as if she were out on the river, the water calm and the sunlight reflecting from the water to light up the superstructure of a container ship.

"And I get the angle just right for the photo," she continued, "It's an emotionally moving moment. Almost tender.”

I squinted at my coffee. “It doesn't sound strange. I think Michael Jackson said it best: That's why you've got to be there.”

She blinked. “Who are you? And what have you done with the real Genome?”

“Okay," I said, gesturing vaguely while she laughed. “But tell me something, If someone thinks a cargo ship is a big metal box floating on the river, how do you help them see what you see?”

“My photography introduces abstract elements like contour, shadow, and color before the mind has a chance to categorize what they're seeing. Once someone realizes they're seeing something familiar in an unfamiliar way, their perception shifts.”

I blinked twice. “Like when I saw Beignet, that magnificent ragamuffin, on top of the fridge and mistook him for a loaf of sourdough?”

“Exactly,” she said, without missing a beat. “It’s all about perception. It's something cats understand naturally.”

I leaned back, pretending to reflect on her words, but I was really thinking about Beignet. “You know,” I finally said, “I think I get it now. Ships are like... huge kinetic sculptures.”

She looked amused. “Close enough.”

We sat quietly for a few moments, letting the idea settle—or we may have been thinking about once and future cats. 

“Well,” I said, finishing my cappuccino, “I think this calls for a new exhibit. Big, bold prints. Maybe include a soundscape—distant foghorns, I think, don't you?"

Ms. Wonder’s eyes twinkled. "Obviously,” she said. “I’ll start contacting museum and gallery curators.”

"Great!" I said. "I think we’re on to something."

"I think I'm on to something," she said with a grin, "I think you're on something."